It’s
strange to discover just what a remarkable woman the writer of those
limpid, favourite hymns really was. To start with, she was a lifelong
agnostic. As a long-time exile from the UK, she once described feeling
“an almost physical ache to hear … a peal of bells from an English
church tower (so long as she wouldn’t have to go to the service!)”
She was definitely out of the top drawer of English society. Her
maternal grandfather was a baron, her mother a society hostess and her
father a one-time MP whose career failed to fulfil its early promise.
She didn’t attend school as a child, but went to Classes with a private
teacher. One of the other girls attending the same Classes was
Elizabeth Bowes-Lyon, later the wife of King George VI, and later still
the Queen Mother.
Joyce Anstruther, as she then was, “came out” as a debutante into
the society marriage market. She was always rebellious, kicking against
the established ways of doing things, and one of the forms this took
was marrying in haste, and for love, one of the first men who came
along: Anthony Maxtone Graham. He shared her unconventional love of
rude words and dirty jokes. (I’ve no way of knowing how blue these
might be by modern standards.) They were married, not entirely with the
approval of all the family, and for several years had a happy and
successful family life. Joyce was both a highly traditional upper
middle-class woman, in that she left most of the care of her three
children to the nanny, and a very “modern” woman in her pursuit of her
own career as a writer. She wrote poems, short pieces for many
newspapers and journals, and of course, the hymns, which were
commissioned by Percy Dearmer for his new collection of modern hymns, Songs of Praise. Jan Struther, an abbreviation of her maiden name, was the pen name which she used.
By the later 1930s, she and Tony were growing apart: he had become
the heir to a Scottish lairdship, on the death of his uncle, and wanted
more of the country life of big houses, entertaining, and shooting. She
was becoming more left-wing in her political sympathies, and wanting to
pursue an artistic, almost bohemian lifestyle. In 1939 she met an
Austrian Jewish emigré, Dolf Placzek, and they embarked on a passionate
affair.
The “Mrs Miniver” pieces, which Jan was asked to write for the Court
page of the Times, depicted an idyllically happy middle class London
family’s life. It was the life Jan herself no longer had, but maybe
once had, or possibly still aspired to. They took the country by storm,
because they expressed in clear, aphoristic prose, not only the
attitudes and lifestyle of a particular class, but insights and
emotions about ordinary everyday life which a much broader spectrum of
society could identify with. Publishers vied with each other to publish
them in book form, when there were enough of them, and Jan accepted the
offer of Chatto and Windus. Mrs Miniver was published in 1939.
With the outbreak of the Second World War, there was talk of an
American edition. Jan was invited to travel to the States for the
launch of the book, and although torn by guilt about leaving the
country when she should stay and “do her bit”, she took advantage of
the opportunity to take her two youngest children to safety, and to be
reunited with Dolf who had by then obtained an American entry visa. In
the event, her wartime service was as an unofficial ambassadress,
talking to the American people about what the War was like for ordinary
British families, the wives and children of the men away on active
service, and all on the Home Front. She did this by promoting her book,
by broadcasting, and by extensive lecture tours all over the States.
Winston Churchill reckoned that Mrs Miniver - the book, and
the Hollywood film that was based on it (emphasis on “based on”) - was
of incalculable value in gaining US support even before Pearl Harbor.
All this time, the affair with Dolf had to be kept a closely guarded
secret. It was impossible to persuade people that Mrs Miniver was a
fictional character, and not an autobiographical representation of Jan
herself. It would have been fatal to the appeal of Mrs Miniver if it
had been revealed that the perfect, happily-married, wife and mother
was in reality an adulteress.
Meanwhile husband Tony was a POW first of the Italians, then the
Germans. When he was released at the end of the War, Jan returned to
Britain with her children. It was clear that the marriage could not be
revived, and after some attempts to “give it a try”, the Anstruthers
were divorced, and Jan was able to return to New York and marry Dolf.
She had been suffering increasingly with bouts of depression,
accompanied by an inability to write, since the early 1940s. This
depression was to dog her for the remaining years of her life, and she
died of breast cancer, in 1953.
Her biography,
written by her granddaughter Ysenda Maxtone Graham, depicts her as a
beautiful, lively, passionate, physical, witty, creative woman, who was
always more at ease in the company of men than of women. The kind of
woman you think it would be good to know.