As the beginning of NaNoWriMo
draws near, I guess I should come clean. In the interests of full
disclosure. I’ve never taken part in NaNoWriMo before. But I have
written two substantial works of fiction, possibly as much as 75,000
words apiece. It’s a few years ago now; 35 years to be exact. Back then
I was spending a year in Germany as part of my degree course, nominally
working as an English teaching assistant in the local school, but
actually apprenticing myself to the Muse. I had in mind that I was
going to be a writer - and didn’t yet know that most of the writing in
my life was going to be in that peculiar and idiosyncratic folk-art
form, the English Sermon.
So during that year, 1969-70, I wrote two novels.
Hemlock
This was a fantasy novel set in a fictional kingdom somewhere in
Mitteleuropa. The eponymous (tada!) hero kills a rival in a duel, and
the dead man’s mistress curses him, and proceeds to pursue him for many
years to exact vengeance. She hounds Hemlock through various loves,
wars, and other adventures, finally destroying everyone and everything
that he has ever held dear. Only then does it emerge that she herself
did not survive her grief over her lover’s death. It is her ghost (or
is it Hemlock’s conscience, or imagination?) that has hounded him all
these years and eventually driven him mad.
What a happy ending. But then, I was 20.
A Fractured Time
This was my semi-autobiographical early novel, which tells the story of
a young man about to go abroad for a year as part of his university
degree course, who spends the summer vacation doing various soulless or
unusual jobs, has a series of picaresque adventures, falls in love, and
reflects on the nature of the passing of time as he begins to leave his
youth behind and contemplate adulthood. The “fractured time” of the
title is because his wrist watch breaks and needs to be repaired (this
takes 6 weeks: those were the days), during which time he feels
strangely free from the shackles or constraints of time-bound modern
living, ruled always by the demands of the clock. When he gets his
mended watch back, he resigns himself to that voluntary bondage, along
with the rest of the human race.
Then there was novel #3: The Time-Slayer
This concerns a sinister wizard-magician-clockmaker called Mordaunt,
whose creations magically control as well as measure the lives of their
owners. When his wife gives birth to a son, he has a life-clock made
and ready to be set in motion for the child, as soon as the baby draws
its first breath. À la Grandfather’s Clock, this will tick away the
seconds and minutes and hours of his days, until his last breath. But
to Mordaunt’s horror, his wife unexpectedly (OK, this is a fantasy,
too) gives birth to twins; and there is no clock ready for this
smaller, younger, second son. From that moment of peri-natal rebellion
and bloody-mindedness, Tim Mordaunt sets himself against everything his
father stands for; against that whole time-bondage which governs the
world; and finds a way to freedom.
Essentially, this novel was going to be about a hero who breaks free
from the constraints of industrialised, technological Western living,
conquers the tyrant Time, and discovers the Meaning of Life. After I
had written about 8 pages, I realised I didn’t know what the Meaning of
Life was, and couldn’t even imagine a plausible outcome to the story.
So the novel remained a fragment.
About four months later I began to read the New Testament. I was
captivated by the Story, and found it questioning me: Is this true?
(Whatever true might mean, then or now.) If I said No, I needed to
reject the Christian faith to which I had previously claimed to belong.
If, on the other hand, I said Yes, then I also needed to change my life
and get serious about living in the Story, becoming a disciple of Jesus.
This might sound trite. But it’s true, nonetheless.