I
haven’t even tried to rate Proust in the sidebar. How can you presume
to rate a work that has been called “the greatest novel of the 20th
century”?
It turns out, as so many people have said, to be strangely
compelling and addictive, once you overcome the obstacle of the long,
convoluted sentences (perhaps, like Barth’s Church Dogmatics,
they are easier to read with understanding in the original language?)
and the paragraphs that go on for page after page. It’s like entering a
complete alternative world that the author creates and summons up
before your imagination.
But still, I’m finding it hard to like Proust or his alter ego
narrator of this huge work. He describes himself in the work as someone
who is amazingly sought after and loved by the other characters in the
story, and Alain de Botton has written his How Proust Can Change Your Life on the premise that Proust is some kind of guru who can teach us wisdom for life.
I haven’t read Botton, though I’m always attracted to the idea of
gurus; but it seems to me the one area where Proust has little to teach
us, is one of the key themes of the whole book. It’s Love. Is there a
single love in the book which is not in some way pathological? Leaving
aside the narrator’s downright peculiar dependence on his mother and
grandmother, every single person who falls in love seems intent on
doing it in the most unhealthy way imaginable. Whether this is Swann in
his relationship with Odette, Robert de Saint-Loup with “Rachel when
from the Lord”, the narrator in his various loves with Gilberte, Mme de
Guermantes, Albertine, and whoever else still lies ahead (I’m only at
the start of volume V) - Proust doesn’t seem to know any kind of love
except one-sided, unrequited passion.
There’s no idea that love could be, not an overwhelming elemental
power, but something freely and joyfully entered into by two people who
consent, and agree to love one another, to return the other’s love, to
work together at a shared enterprise of life. In Proust’s work, it
seems that as soon as the beloved looks likely to return your love, you
inevitably stop loving him/her. When the narrator is embroiled in his
affair with Albertine, he has no thought of marrying her until he
discovers that she is “a practised and professional Sapphist”, when he
immediately informs his astonished mother that he absolutely must marry
this woman, whom he no longer loves, but of whose relationships with
other women he is permanently jealous. This is nothing but a kind of
emotional masochism.
And then I find his hatred of women hard to forgive. The narrator is deeply misogynistic:
…Albertine had developed to an astonishing degree. This
was a matter of complete indifference to me, a woman’s intellectual
qualities having always interested me so little that if I pointed them
out to some woman or other it was solely out of politeness.
Perhaps we will be told that this is just the way a man of his age and class would think and speak. But I say, it stinks.